Thursday, July 26, 2012

Enlarged Maquettes

Most of my sculptures are first created in maquette size. The bronzes can then be commissioned in any size.

But I am now working on enlarging some of my maquette size sculptures to 2-4 feet in bronze coated polyurea. This technique still holds all the beauty of bronze, as it has a thin layer of bronze coating, but is much lighter weight and less costly.

We will be bringing these enlarged sculptures with us to our Art Shows in the Fall, and give people the option of either bronze coated polyurea, or the traditional lost wax cast bronze.

These pieces are perfect for someone who wants the impact of a monumental sculpture, without the price of bronze casting.

Here are a few of the pieces that we will be bringing on the road with us:


Tomorrow I will be interviewed by Art Tour International Magazine for their upcoming issue, as well as their video channel!

Art Tour is an international magazine with headquarters in Italy and 200,000 readers across the globe.

Visit their website to hear more and order copies, and check back for pictures and video from the shoot and interview!


This week I wanted to share the story behind my bronze sculpture, "The Kiss". Inspired by a multitude of cultures, this piece is about the timeless pleasures of dance, passion, life and love. The figures are attached  to a black marble Lazy Susan base to further incorporate the flow of their movement.

Wednesday, July 18, 2012


An amazing article by experts in interior design on why to incorporate sculpture in your spaces.

Monday, July 16, 2012


This week, I'm sharing the inspiration behind my sculpture, "Angel de la Vida" (Angel of Life). Throughout art history, angels are frequently depicted in heaven above the clouds. I brought the clouds into her drapery and filled her robes with the colors and passions of life. Patinaed with fire and chemicals, I then create subtle nuances with hand rubbed metallic powders and waxes. She is attached to a steel circle frame, giving the illusion that she is floating above the material universe.

Friday, July 13, 2012


I wanted to share the inspiration behind my sculpture, "So, What Now?" Some people go along with the status quo and others do something about it. With the world cracking beneath him, he still sees hope in this star.

Wednesday, July 11, 2012


I wanted to share with you my page in the Best of American Sculpture Artists book.
This book is a visual art guide of the most noted sculptors in the U.S., and I was lucky enough to have been contacted by them to have my work included in Volume III of their amazing book of sculptors.
It has not been released yet, but I wanted to show you an image of what my page will look like in the completed guide!

Visit their website at
And to order the pre-press release of the book, click the link: BUY THE BOOK

Thursday, July 5, 2012

Pictures From a New Magazine Article!

Here are two new pictures of me from an editorial I'm in! The first is me with one of my newest sculptures, "Freedom Angel", the second is of me holding up an earlier article on my work in the Tampa Bay Times!

Tuesday, July 3, 2012

History of Metal Casting

Have you ever wondered how cast metal sculptures are created? You may be surprised to know that the process has remained the same for thousands of years. Here is a history of the lost wax method. To find out the complete process I use to create each of my bronze sculptures, visit my website at

History of Lost Wax

There is no accurate record of when the lost wax method of casting was first utilized.
It is believed the earliest users of the lost wax method began with a clay core roughly the shape of the subject to be sculpted. This core was covered with wax, and then sculpted to the finished form. Once the wax hardened it was covered with clay. The object was baked, hardening the clay and melting the wax. Because the wax method melted out the bottom of the baking receptacle or oven, it was unusable or lost - hence the process is called "Lost Wax". The space evacuated by the wax was then filled with molten bronze. Once the bronze cooled and hardened, the clay was removed and the remaining bronze - cleaned and polished.
Other names for the process include "lost mould," which recognizes that other materials besides wax can be used, including but not limited to: tallow, resin, tar, and textile; and "waste wax process" or "waste mould casting", because the mould is destroyed to unveil the cast item. Casts can be made of the wax model itself, the direct method; or of a wax copy of a model that need not be of wax.
Archeologists have found castings - thousands of years old. The basic principle of the process has remained unchanged, although many new techniques have been developed. The most significant of which was the use of molds from which many waxes could be made and the ceramic shell process gave a high quality casting.

History of Bronze

Bronze was significant to any culture that encountered it. It was one of the most innovative alloys of mankind. Tools, weapons, armor, and various building materials like decorative tiles made of bronze were harder and more durable than their stone and copper predecessors. Initially bronze was made out of copper and arsenic to form arsenic bronze. It was only later that tin was used, becoming the sole type of bronze in the late 3rd millennium BC. Tin bronze was superior over arsenic bronze in that the alloying process itself could more easily be controlled (as tin was available as a metal) and the alloy was stronger and easier to cast. Also, unlike arsenic, tin is not toxic.
The earliest tin-alloy bronzes date to the late 4th millennium BC in Susa and some ancient sites in Luristan and Mesopotamia.
Copper and tin ores are rarely found together (exceptions include one ancient site in Thailand and one in Iran, so serious bronze work has always involved trade. In Europe, the major source for tin was Great Britain's deposits of ore in Cornwall. Phoenician traders visited Great Britain to trade goods from the Mediterranean for tin.
Bronze is widely used for casting bronze sculptures. Many common bronze alloys have the unusual and very desirable property of expanding slightly just before they set, thus filling in the finest details of a mould. Bronze parts are tough and typically used for bearings, clips, electrical connectors and springs.
Bronze also has very little metal-on-metal friction, which made it invaluable for the building of cannon where iron cannonballs would otherwise stick in the barrel. It is still widely used today for springs, bearings, bushings, automobile transmission pilot bearings, and similar fittings, and is particularly common in the bearings of small electric motors. Phosphor bronze is particularly suited to precision-grade bearings and springs. It is also used in guitar and piano strings.
Bronze is typically 88% copper and 12% tin. Alpha bronze consists of the alpha solid solution of tin in copper. Alpha bronze alloys of 4-5% tin are used to make coins, springs, turbines and blades.
Commercial bronze (otherwise known as brass) is 90% copper and 10% zinc, and contains no tin. It is stronger than copper and it has equivalent ductility. It is used for screws and wires.
Unlike steel, bronze struck against a hard surface will not generate sparks, so it (along with beryllium copper) is used to make hammers, mallets, wrenches and other durable tools to be used in explosive atmospheres or in the presence of flammable vapors.
Indian Hindu artisans from the period of the Chola empire in Tamil Nadu, used bronze to create intricate statutes via the lost wax method with ornate detailing depicting the Gods of Hinduism mostly, but also the lifestyle of the period. The art form survives to this day, with many silpis, craftsmen, working in the areas of Swamimalai and Chennai.
In antiquity other cultures also produced works of high art using bronze. For example: in Africa the bronze heads of the Kingdom of Benin, in Europe; Grecian bronzes typically of figures from Greek mythology, in east Asia; Chinese bronzes of the Shang and Zhou dynasty - more often ceremonial vessels but including some figurine examples.
Bronze continues into modern times as one of the materials of select choice for monumental statuary.

Monday, July 2, 2012


I'd like to share with you the story behind my sculpture, "Above it All". The actor Rene Auberjonois (“Constable Odo” from Star Trek: Deep Space Nine) owned land with me in the woods of New Hampshire. He used to draw happy little figures that, later on, inspired me to draw a girl dancing on top of a blue sphere. Here she is in bronze, above the earth, in a universe all her own.